{"id":41611,"date":"2017-04-27T09:30:36","date_gmt":"2017-04-27T06:30:36","guid":{"rendered":"https:\/\/new.azbuki.bg\/bulgarian\/bel2016-2\/2-lix-2017\/"},"modified":"2019-06-24T17:31:16","modified_gmt":"2019-06-24T14:31:16","slug":"2-lix-2017","status":"publish","type":"post","link":"https:\/\/philosophy.azbuki.bg\/en\/bulgarian\/bel2017\/2-lix-2017\/","title":{"rendered":"Bulgarian Language and Literature, issue 2\/2017, Volume 59"},"content":{"rendered":"<p><strong><a name=\"top\"><\/a>CONTENTS \/ \u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415<\/strong><\/p>\n<p><strong>METHODOLOGY \/ \u041c\u0415\u0422\u041e\u0414\u0418\u041a\u0410<\/strong><br \/><a href=\"#art01\">\u041a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u0438\u044f\u0442 \u043f\u043e\u0434\u0445\u043e\u0434 \u043f\u0440\u0438 \u0444\u043e\u0440\u043c\u0443\u043b\u0438\u0440\u0430\u043d\u0435 \u043d\u0430 \u0442\u0435\u043c\u0438 \u0437\u0430 \u0435\u0441\u0435 (\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u043d\u043e\u0442\u0435\u043c\u0430\u0442\u0438\u0447\u0435\u043d \u043a\u0440\u044a\u0433 \u0437\u0430 \u0447\u0438\u0441\u043b\u043e\u0442\u043e \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u043e \u0411\u043e\u0442\u0435\u0432, \u0418\u0432\u0430\u043d \u0412\u0430\u0437\u043e\u0432 \u0438 \u041f\u0435\u043d\u0447\u043e \u0421\u043b\u0430\u0432\u0435\u0439\u043a\u043e\u0432) <\/a><br \/><a href=\"#art01\">[Contextual approach in De\ufb01nition of Topics for essay (Thematic Problematic Circle for the Number in the Work of Hristo Botev, Ivan Vazov and Pencho Slaveykov)] <\/a><br \/>\/ \u0420\u0430\u0434\u043e\u0441\u043b\u0430\u0432 \u0420\u0430\u0434\u0435\u0432 \/ Radoslav Radev 119<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"#art02\">\u0421\u044a\u0437\u0434\u0430\u0432\u0430\u043d\u0435 \u043d\u0430 \u0441\u044a\u0447\u0438\u043d\u0435\u043d\u0438\u0435 \u043f\u043e \u0430\u043d\u0430\u043b\u043e\u0433\u0438\u044f (\u0412\u044a\u0440\u0445\u0443 \u043f\u0440\u0438\u043a\u0430\u0437\u043a\u0438\u0442\u0435 \u0437\u0430 \u0425\u0438\u0442\u044a\u0440 \u041f\u0435\u0442\u044a\u0440) <\/a><br \/><a href=\"#art02\">[Creating an Essay by Analogy (On Hitar Petar\u2019s Story Tales)] <\/a><br \/>\/ \u041a\u0430\u043d\u0435\u043b\u0438\u044f \u0411\u043e\u0436\u0438\u043d\u043e\u0432\u0430-\u0421\u043b\u0430\u0432\u0447\u0435\u0432\u0430 \/ Kaneliya Bozhinova-Slavcheva 131<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>LITERATURE SCIENCE \/ \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u041e\u0417\u041d\u0410\u041d\u0418\u0415<\/strong> <br \/><a href=\"#art03\">\u0413\u043e\u0432\u043e\u0440\u0438 \u0441\u0435 \u0437\u0430 \u043d\u0435\u0449\u043e (\u041e\u043f\u0438\u0442\u0438 \u0432\u044a\u0440\u0445\u0443 \u043f\u043e\u0432\u0435\u0441\u0442\u0442\u0430 \u201e\u0447\u0438\u0447\u043e\u0432\u0446\u0438\u201c) <\/a><br \/><a href=\"#art03\">[someone Talks about something (Essays on the story \u201eUncles\u201c)] <\/a><br \/>\/ \u0421\u0442\u0438\u043b\u0438\u044f\u043d \u0421\u0442\u043e\u044f\u043d\u043e\u0432 \/ Stiliyan Stoyanov 143<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"#art04\">\u0427\u0438\u0442\u0430\u0442\u0435\u043b\u044f\u0442 \u0435\u043a\u0440\u0430\u043d. \u041f\u043e\u0441\u0442\u043c\u043e\u0434\u0435\u0440\u043d\u0430\u0442\u0430 \u0437\u043d\u0430\u043a\u043e\u0432\u043e\u0441\u0442 \u0432 \u0440\u0430\u0437\u043a\u0430\u0437\u0430 \u201e\u0426\u0430\u0440\u0430\u043c\u0431\u0443\u043a\u0430\u201c \u043e\u0442 \u0419\u043e\u0440\u0434\u0430\u043d \u0420\u0430\u0434\u0438\u0447\u043a\u043e\u0432 <\/a><br \/><a href=\"#art04\">[The Reader Screen] <\/a><br \/>\/ \u0418\u0432\u0430\u043d \u0412e\u043b\u0447\u0435\u0432 \/ Ivan Velchev 150<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"#art05\">\u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438 \u0432 \u0440\u0435\u0433\u0438\u043e\u043d\u0430\u043b\u043d\u0430\u0442\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u044f: \u0435\u0434\u0438\u043d \u0441\u044a\u0432\u0440\u0435\u043c\u0435\u043d\u0435\u043d \u201e\u0440\u0430\u0437\u043a\u0430\u0437\u201d \u0437\u0430 \u043f\u0440\u0435\u043d\u0430\u0441\u044f\u043d\u0435 \u043d\u0430 \u043c\u043e\u0449\u0438 <\/a><br \/><a href=\"#art05\">[St. Clement of Ohrid in the Regional Literature and History: A Contemporary \u201cStory\u201d about Relics] <\/a><br \/>\/ \u0415\u043b\u0435\u043d\u0430 \u0410\u0437\u043c\u0430\u043d\u043e\u0432\u0430-\u0420\u0443\u0434\u0430\u0440\u0441\u043a\u0430 \/ Elena Azmanova-Rudarska 164<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"#art06\">\u0424\u0438\u0433\u0443\u0440\u0430\u0442\u0430 \u043d\u0430 c\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438 \u0432 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0430\u0442\u0430 \u0438 \u0432 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430\u0442\u0430 \u043a\u043d\u0438\u0436\u043d \u0438\u043d\u0430 \u043e\u0442 \u0435\u043f\u043e\u0445\u0430\u0442\u0430 \u043d\u0430 \u0412\u044a\u0437\u0440\u0430\u0436\u0434\u0430\u043d\u0435\u0442\u043e <\/a><br \/><a href=\"#art06\">[The Figure of St. Clement of Ohrid in the Bulgarian and Macedonian Literatures at the Time of the National Revival] <\/a><br \/>\/ \u0415\u0432\u0435\u043b\u0438\u043d\u0430 \u0414\u0436\u0435\u0432\u0438\u0435\u0446\u043a\u0430 \/ Ewelina Drzewiecka 177<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>TEACHERS\u2019 E\u0425PERIENCE \/ \u041e\u041f\u0418\u0422\u042a\u0422 \u041d\u0410 \u041f\u0420\u0415\u041f\u041e\u0414\u0410\u0412\u0410\u0422\u0415\u041b\u042f<\/strong><br \/>\u0411\u0430\u0439 \u0413\u0430\u043d\u044c\u043e \u0438 \u0431\u0430\u0439 \u041a\u043e\u043b\u044c\u043e \u2013 \u043c\u043e\u0434\u0435\u043b\u0438 \u043d\u0430 \u043f\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0432 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u044f \u0436\u0438\u0432\u043e\u0442 \u0432 \u043a\u0440\u0430\u044f \u043d\u0430 \u0425IX \u0432\u0435\u043a <br \/>[Bai Ganyo and Bai Kolyo \u2013 Patterns of Behavior in Bulgarian Life in the Late 19th Century] <br \/>\/ \u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d \u0411\u0435\u0447\u0435\u0432 \/ Konstantin Bechev 198<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>BULGARIAN LANGUAGE AND CULTURE ABROAD \/ \u0411\u042a\u041b\u0413\u0410\u0420\u0421\u041a\u0418 \u0415\u0417\u0418\u041a \u0418 \u041a\u0423\u041b\u0422\u0423\u0420\u0410 \u041f\u041e \u0421\u0412\u0415\u0422\u0410<\/strong><br \/> <em>\u0414\u043d\u0438 \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u044f \u0435\u0437\u0438\u043a \u0438 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u0424\u043e\u0440\u043b\u0438 (\u0418\u0442\u0430\u043b\u0438\u044f), 6 \u2013 8 \u0430\u043f\u0440\u0438\u043b<\/em> <br \/>\u041b\u0435\u043a\u0442\u043e\u0440\u0430\u0442\u044a\u0442 \u043f\u043e \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438 \u0435\u0437\u0438\u043a, \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0438 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u0432\u044a\u0432 \u0424\u043e\u0440\u043b\u0438, \u0418\u0442\u0430\u043b\u0438\u044f \u2013 \u043f\u043e\u0433\u043b\u0435\u0434 \u043e\u0442\u0432\u044a\u0442\u0440\u0435 <br \/>[Bulgarian Language, Literature and Culture in Forli, Italy: A Look from Inside] <br \/>\/\u041b\u0430\u0441\u043a\u0430 \u041b\u0430\u0441\u043a\u043e\u0432\u0430 \/ Laska Laskova 202<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p>\u201e\u0416\u0438\u0432\u0435\u0435\u043c \u0432 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u043e, \u0432 \u043a\u043e\u0435\u0442\u043e \u0435 \u043d\u0435\u043c\u0438\u0441\u043b\u0438\u043c\u043e \u0434\u0430 \u0441\u0435 \u043a\u0430\u043f\u0441\u0443\u043b\u0438\u0440\u0430\u043c\u0435\u201c (\u0418\u043d\u0442\u0435\u0440\u0432\u044e \u0441 \u0413\u0435\u0440\u0433\u0430\u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u043e\u0432\u0430, \u0441\u044a\u043e\u0441\u043d\u043e\u0432\u0430\u0442\u0435\u043b \u043d\u0430 \u0415\u0437\u0438\u043a\u043e\u0432 \u0438 \u043a\u0443\u043b\u0442\u0443\u0440\u0435\u043d \u0446\u0435\u043d\u0442\u044a\u0440 \u201e\u0422\u0423\u041a \u0411\u042a\u041b\u0413\u0410\u0420\u0418\u042f\u201c \u0438 \u0434\u0438\u0440\u0435\u043a\u0442\u043e\u0440 \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u043e\u0442\u043e \u0443\u0447\u0438\u043b\u0438\u0449\u0435 \u2013 \u041c\u0438\u043b\u0430\u043d\u043e, \u0418\u0442\u0430\u043b\u0438\u044f) <br \/>[\u201eWe Live in a society that is Impossible to encapsulate\u201c (Interview with Gergana Hristova, \u0421o-founder of Language and Cultural Center \u201eBULGARIA HERE\u201d and Director of the Bulgarian School &#8211; Milan, Italy)] <br \/>\/ \u041c\u0430\u044f \u041f\u0430\u0434\u0435\u0448\u043a\u0430 \/ Maya Padeshka 210<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>REVIEWS AND INFORMATION \/ \u0420\u0415\u0426\u0415\u041d\u0417\u0418\u0418 \u0418 \u0418\u041d\u0424\u041e\u0420\u041c\u0410\u0426\u0418\u042f<\/strong><br \/>\u041f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u044f\u0442 \u0434\u0432\u043e\u0439\u0441\u0442\u0432\u0435\u043d \u0435\u0437\u0438\u043a \u0432 \u043c\u0435\u0434\u0438\u0438\u0442\u0435 <br \/>[Poitical Doublespeak in Media] <br \/>\/ \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0414\u043e\u0441\u0435\u0432 \/ Vladimir Dosev 214<br \/><a href=\"https:\/\/philosophy.azbuki.bg\/en\/member-login\/\">Log in to read the full text<\/a><\/p>\n<p>\u00a0<\/p>\n<p><strong>READ IN THE LATEST ISSUES OF \u201cAZ-BUKI\u201c JOURNALS \/ \u0412 \u041d\u041e\u0412\u0418\u0422\u0415 \u0411\u0420\u041e\u0415\u0412\u0415 \u041d\u0410 \u0421\u041f\u0418\u0421\u0410\u041d\u0418\u042f\u0422\u0410 \u041d\u0410 \u0418\u0417\u0414\u0410\u0422\u0415\u041b\u0421\u0422\u0412\u041e \u201e\u0410\u0417-\u0411\u0423\u041a\u0418\u201c \u0427\u0415\u0422\u0415\u0422\u0415<\/strong> 218<\/p>\n<p>\u00a0<\/p>\n<p><strong>GUIDE FOR AUTHORS \/ \u0423\u041a\u0410\u0417\u0410\u041d\u0418\u042f \u0417\u0410 \u0410\u0412\u0422\u041e\u0420\u0418\u0422\u0415<\/strong> 220<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art01\"><\/a>\u041a\u041e\u041d\u0422\u0415\u041a\u0421\u0422\u0423\u0410\u041b\u041d\u0418\u042f\u0422 \u041f\u041e\u0414\u0425\u041e\u0414 \u041f\u0420\u0418 \u0424\u041e\u0420\u041c\u0423\u041b\u0418\u0420\u0410\u041d\u0415 \u041d\u0410 \u0422\u0415\u041c\u0418 \u0417\u0410 \u0415\u0421\u0415 <br \/>(\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u043d\u043e-\u0442\u0435\u043c\u0430\u0442\u0438\u0447\u0435\u043d \u043a\u0440\u044a\u0433 \u0437\u0430 \u0447\u0438\u0441\u043b\u043e\u0442\u043e \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u043e \u0411\u043e\u0442\u0435\u0432, \u0418\u0432\u0430\u043d \u0412\u0430\u0437\u043e\u0432 \u0438 \u041f\u0435\u043d\u0447\u043e \u0421\u043b\u0430\u0432\u0435\u0439\u043a\u043e\u0432)<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>Radoslav Radev<br \/>St. Cyril and St. Methodius University of Veliko Turnovo<\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> \u0412 \u0441\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0441\u0435 \u0440\u0430\u0437\u0432\u0438\u0432\u0430 \u0442\u0435\u0437\u0430\u0442\u0430, \u0447\u0435 \u0444\u043e\u0440\u043c\u0443\u043b\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0442\u0435\u043c\u0438 \u0437\u0430 \u0443\u0447\u0435\u043d\u0438\u0447\u0435\u0441\u043a\u0438 \u043f\u0438\u0441\u043c\u0435\u043d\u0438 \u0440\u0430\u0431\u043e\u0442\u0438, \u043d\u0430\u0439-\u0432\u0435\u0447\u0435 \u0437\u0430 \u0435\u0441\u0435, \u0442\u0440\u044f\u0431\u0432\u0430 \u0434\u0430 \u0441\u0435 \u043e\u0441\u044a\u0449\u0435\u0441\u0442\u0432\u044f\u0432\u0430 \u0447\u0440\u0435\u0437 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u0438\u044f \u043f\u043e\u0434\u0445\u043e\u0434, \u043a\u043e\u0439\u0442\u043e \u0438\u0437\u0438\u0441\u043a\u0432\u0430 \u0443\u0447\u0435\u043d\u0438\u043a\u044a\u0442 \u0434\u0430 \u0435 \u043d\u0430\u044f\u0441\u043d\u043e \u0432 \u043a\u0430\u043a\u044a\u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442 \u0435 \u0442\u0435\u043c\u0430\u0442\u0430 \u0437\u0430 \u0435\u0441\u0435\u0442\u043e, \u0437\u0430 \u0434\u0430 \u043c\u043e\u0436\u0435, \u043a\u043e\u0433\u0430\u0442\u043e \u044f \u0438\u0437\u0431\u0435\u0440\u0435, \u0434\u0430 \u044f \u0441\u044a\u0433\u043b\u0430\u0441\u0443\u0432\u0430 \u0441 \u0434\u0440\u0443\u0433\u0438\u0442\u0435 \u0432\u044a\u0432\u0435\u0434\u0435\u043d\u0438 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0438 \u0438 \u043f\u043e \u0442\u043e\u0437\u0438 \u043d\u0430\u0447\u0438\u043d \u0434\u0430 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u0438\u0440\u0430 \u043f\u043e-\u0438\u043d\u0442\u0435\u0440\u0435\u0441\u043d\u043e \u0438 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u043d\u043e \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044f\u0442\u0430 \u043d\u0430 \u0442\u0435\u043a\u0441\u0442\u0430 \u0441\u0438. \u0423\u0447\u0435\u043d\u0438\u043a\u044a\u0442 \u0438\u0437\u0431\u0438\u0440\u0430 \u0435\u0434\u043d\u0430 \u043e\u0442 \u043f\u0440\u0435\u0434\u043b\u043e\u0436\u0435\u043d\u0438\u0442\u0435 \u0442\u0435\u043c\u0438, \u043d\u043e \u0447\u0440\u0435\u0437 \u0434\u0440\u0443\u0433\u0438\u0442\u0435 \u0443\u043f\u043b\u044a\u0442\u043d\u044f\u0432\u0430 \u0441\u044a\u0434\u044a\u0440\u0436\u0430\u0442\u0435\u043b\u043d\u0438\u044f \u0438 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u043e\u043d\u043d\u0438\u044f \u0430\u0441\u043f\u0435\u043a\u0442 \u043d\u0430 \u0442\u0435\u043a\u0441\u0442\u0430 \u0441\u0438. \u0421 \u043e\u0433\u043b\u0435\u0434 \u043f\u0440\u0438\u043b\u043e\u0436\u043d\u0438\u044f \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440 \u043d\u0430 \u0441\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0441\u043c\u0435 \u0432\u044a\u0432\u0435\u043b\u0438 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u043d\u043e\u0442\u0435\u043c\u0430\u0442\u0438\u0447\u0435\u043d \u043a\u0440\u044a\u0433 \u0437\u0430 \u0447\u0438\u0441\u043b\u043e\u0442\u043e \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u043e \u0411\u043e\u0442\u0435\u0432, \u0418\u0432\u0430\u043d \u0412\u0430\u0437\u043e\u0432 \u0438 \u041f\u0435\u043d\u0447\u043e \u0421\u043b\u0430\u0432\u0435\u0439\u043a\u043e\u0432 \u0438 \u043d\u0430 \u043f\u0440\u0438\u043d\u0446\u0438\u043f\u0430 \u043d\u0430 \u0440\u0435\u0447\u043d\u0438\u043a\u0430 \u0441\u043c\u0435 \u043f\u0440\u0435\u0434\u043b\u043e\u0436\u0438\u043b\u0438 \u0442\u0435\u043c\u0438 \u0432\u044a\u0432 \u0432\u0440\u044a\u0437\u043a\u0430 \u0441 \u0442\u043e\u0437\u0438 \u043f\u0440\u043e\u0431\u043b\u0435\u043c. <br \/><em>Keywords:<\/em> context, theme, essay, number, vocabulary, alphabet, binarity, hundred, scale, time, money, pleasure<\/p>\n<p>\u00a0<\/p>\n<p><strong>CONTEXTUAL APPROACH IN DEFINITION OF TOPICS FOR ESSAY <br \/>(Thematic problematic circle for the number in the work of Hristo Botev, Ivan Vazov and Pencho Slaveykov)<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> The article develops the thesis that the formulation of topics for school papers and especially the essay must be done through contextual approach, that requires the student to be aware in what context is the theme for the essay so that when he chooses, to coordinate it with other introduced problems and thus to construct more interesting and originally the composition of the text. The student chooses one of the proposed topics, but through the others he compacts meaningful and compositional aspect of his text. Regarding the applied nature of the article we have introduced problematic thematic circle for the number in the work of Hristo Botev, Ivan Vazov and Pencho Slaveykov and using the principle of vocabulary we offered topics in connection with this problem.<\/p>\n<p>\u00a0<\/p>\n<p>Prof. Dr. Radoslav Radev <br \/>University of Veliko Tarnovo<br \/> 25 E, Teodosij Tarnovski St. <br \/>VelikoTarnovo, Bulgaria<br \/> E-mail: radev_bg@abv.bg<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art02\"><\/a>\u0421\u042a\u0417\u0414\u0410\u0412\u0410\u041d\u0415 \u041d\u0410 \u0421\u042a\u0427\u0418\u041d\u0415\u041d\u0418\u0415 \u041f\u041e \u0410\u041d\u0410\u041b\u041e\u0413\u0418\u042f (\u0412\u044a\u0440\u0445\u0443 \u043f\u0440\u0438\u043a\u0430\u0437\u043a\u0438\u0442\u0435 \u0437\u0430 \u0425\u0438\u0442\u044a\u0440 \u041f\u0435\u0442\u044a\u0440)<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>\u041a\u0430\u043d\u0435\u043b\u0438\u044f \u0411\u043e\u0436\u0438\u043d\u043e\u0432\u0430-\u0421\u043b\u0430\u0432\u0447\u0435\u0432\u0430<br \/>Medical University \u2013 Plovdiv<\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u043d\u0430 \u043d\u0430\u0441\u0442\u043e\u044f\u0449\u0430\u0442\u0430 \u0441\u0442\u0430\u0442\u0438\u044f \u0441\u0430 \u0441\u044a\u0447\u0438\u043d\u0435\u043d\u0438\u044f\u0442\u0430 \u043f\u043e \u0430\u043d\u0430\u043b\u043e\u0433\u0438\u044f \u2013 \u0441\u044a\u0437\u0434\u0430\u0432\u0430\u043d\u0435 \u043d\u0430 \u043f\u0440\u0438\u043a\u0430\u0437\u043a\u0438 \u0437\u0430 \u0425\u0438\u0442\u044a\u0440 \u041f\u0435\u0442\u044a\u0440 \u0432 \u043f\u0435\u0442\u0438 \u043a\u043b\u0430\u0441. \u0410\u043d\u0430\u043b\u043e\u0433\u0438\u044f\u0442\u0430, \u043a\u0430\u0442\u043e \u0433\u043b\u043e\u0431\u0430\u043b\u0435\u043d \u043c\u0435\u0442\u043e\u0434 \u043d\u0430 \u0441\u044a\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0438\u044f \u043c\u0435\u0436\u0434\u0443 \u043d\u0435\u044f\u0432\u043d\u0438 \u043f\u043e\u0434\u043e\u0431\u0438\u044f, \u0434\u0430\u0432\u0430 \u0448\u0438\u0440\u043e\u043a\u0438 \u0432\u044a\u0437\u043c\u043e\u0436\u043d\u043e\u0441\u0442\u0438 \u0437\u0430 \u0440\u0430\u0437\u0432\u0438\u0432\u0430\u043d\u0435 \u043d\u0430 \u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u043e\u0442\u043e \u0438 \u0430\u0441\u043e\u0446\u0438\u0430\u0442\u0438\u0432\u043d\u043e\u0442\u043e \u043c\u0438\u0441\u043b\u0435\u043d\u0435 \u043d\u0430 \u0443\u0447\u0435\u043d\u0438\u0446\u0438\u0442\u0435. \u041c\u0435\u0442\u043e\u0434\u0438\u0447\u0435\u0441\u043a\u0438\u044f\u0442 \u0435\u043a\u0441\u043f\u0435\u0440\u0438\u043c\u0435\u043d\u0442 \u0435 \u043f\u0440\u043e\u0432\u0435\u0434\u0435\u043d \u0432 \u041e\u0423 \u201e\u0420\u0430\u0439\u043d\u0430 \u041a\u043d\u044f\u0433\u0438\u043d\u044f\u201c \u2013 \u041f\u043b\u043e\u0432\u0434\u0438\u0432, \u043f\u0440\u0435\u0437 \u0443\u0447\u0435\u0431\u043d\u0430\u0442\u0430 2014 \u2013 2015 \u0433\u043e\u0434\u0438\u043d\u0430.<br \/> <em>Keywords:<\/em> analogy, writings, method, experiment<\/p>\n<p>\u00a0<\/p>\n<p><strong>CREATING AN ESSAY BY \u0410NALOGY (On Hitar Petar\u2019s Story Tales)<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> The object of this paper are writings by analogy &#8211; creating stories about Hitar Petar (a hero of Bulgarian folk stories) in the 5th grade. The analogy as a global method of correspondences between implicit similarities gives ample opportunities for developing logical and associative thinking of the students. The methodical experiment was conducted in \u201eRayna Knyaginia\u201c Primary School \u2013 Plovdiv, during the academic year 2014 \u2013 2015.<\/p>\n<p>\u00a0<\/p>\n<p>Dr. Kaneliya Bozhinova-Slavcheva<br \/>Medical University of Plovdiv<br \/> 4027 Plovdiv, Bulgaria<br \/> E-mail: kane_lia@abv.bg<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><strong><a name=\"art03\"><\/a>\u0413\u041e\u0412\u041e\u0420\u0418 \u0421\u0415 \u0417\u0410 \u041d\u0415\u0429\u041e (\u041e\u043f\u0438\u0442\u0438 \u0432\u044a\u0440\u0445\u0443 \u043f\u043e\u0432\u0435\u0441\u0442\u0442\u0430 \u201e\u0427\u0438\u0447\u043e\u0432\u0446\u0438\u201c)<\/strong><\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\">Stiliyan Stoyanov<br \/>South-West University \u201eNeofit Rilski\u201c\nBlagoevgrad, Bulgaria<\/p>\n<p style=\"text-align: left;\">\u00a0<\/p>\n<p style=\"text-align: left;\"><strong>Abstract.<\/strong> \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u043a\u043e\u043c\u0435\u043d\u0442\u0438\u0440\u0430 \u043f\u043e\u0432\u0435\u0441\u0442\u0442\u0430 \u201e\u0447\u0438\u0447\u043e\u0432\u0446\u0438\u201c \u0432 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0430 \u043d\u0430 \u0412\u0430\u0437\u043e\u0432\u0430\u0442\u0430 \u043f\u043e\u0435\u0437\u0438\u044f \u0438 \u043f\u0440\u043e\u0437\u0430 \u043e\u0442 80-\u0442\u0435 \u0433\u043e\u0434\u0438\u043d\u0438 \u043d\u0430 \u0425I\u0425 \u0432\u0435\u043a. \u0410\u043a\u0446\u0435\u043d\u0442\u044a\u0442 \u0435 \u043f\u043e\u0441\u0442\u0430\u0432\u0435\u043d \u0432\u044a\u0440\u0445\u0443 \u0433\u043e\u0432\u043e\u0440\u0435\u043d\u0435\u0442\u043e \u0432 \u043f\u043e\u0432\u0435\u0441\u0442\u0442\u0430. \u0417\u0430\u0449\u0438\u0442\u0430\u0432\u0430 \u0441\u0435 \u0442\u0435\u0437\u0430\u0442\u0430, \u0447\u0435 \u0447\u0440\u0435\u0437 \u0434\u0443\u043c\u0438\u0442\u0435 \u043f\u0435\u0440\u0441\u043e\u043d\u0430\u0436\u0438\u0442\u0435 \u0437\u0430\u044f\u0432\u044f\u0432\u0430\u0442 \u0441\u0432\u043e\u0438\u0442\u0435 \u043f\u0440\u0435\u0442\u0435\u043d\u0446\u0438\u0438 \u0437\u0430 \u0441\u043e\u0431\u0441\u0442\u0432\u0435\u043d\u0430 \u0437\u043d\u0430\u0447\u0438\u043c\u043e\u0441\u0442. \u0422\u0435 \u043c\u043e\u0433\u0430\u0442 \u0434\u0430 \u0433\u043e\u0432\u043e\u0440\u044f\u0442 \u0437\u0430 \u0432\u0441\u0438\u0447\u043a\u043e, \u0437\u0430\u0449\u043e\u0442\u043e \u043e\u0442 \u0434\u0443\u043c\u0438\u0442\u0435 \u0438\u043c \u043d\u0435 \u043f\u0440\u043e\u0438\u0437\u043b\u0438\u0437\u0430 \u043d\u0438\u0449\u043e. \u0414\u0440\u0443\u0433\u0430 \u043a\u043e\u043c\u0435\u043d\u0442\u0438\u0440\u0430\u043d\u0430 \u0442\u0435\u0437\u0430 \u0435 \u043c\u0435\u0442\u0430\u043c\u043e\u0440\u0444\u043e\u0437\u0430\u0442\u0430 \u043d\u0430 \u0447\u0438\u0447\u043e\u0432\u0446\u0438\u0442\u0435, \u043f\u0440\u043e\u0441\u043b\u0435\u0434\u0435\u043d\u0430 \u0432 \u201e\u0447\u0438\u0447\u043e\u0432\u0446\u0438\u201c \u0438 \u0432 \u0440\u043e\u043c\u0430\u043d\u0430 \u201e\u041f\u043e\u0434 \u0438\u0433\u043e\u0442\u043e\u201c, \u0438 \u0412\u0430\u0437\u043e\u0432\u0430\u0442\u0430 \u043a\u043e\u043d\u0446\u0435\u043f\u0446\u0438\u044f \u0437\u0430 \u0444\u0438\u043b\u043e\u0441\u043e\u0444\u0438\u044f \u043d\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u044f\u0442\u0430.<br \/><em>Keywords:<\/em> \u0441onversation, return to the past, metamorphosis, polyphony, philosophy of history<\/p>\n<p>\u00a0<\/p>\n<p><strong>SOMEONE TALKS ABOUT SOMETHING (ESSAYS ON THE STORY \u201cUNCLES\u201d)<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> The paper focuses on the novel \u201cUncles\u201d in the context of Vazov\u2018s poetry and prose of the 80s of the nineteenth century. Emphasis is placed on speaking in the story. It argues that through the words the characters say their claims of selfimportance. They can talk about everything, because their words did not originate anything. Another commented thesis is the metamorphosis of uncles, traced in \u201cUncles\u201d and the novel \u201cUnder the Yoke\u201d and Vazov concept of philosophy of history.<\/p>\n<p>\u00a0<\/p>\n<p>Prof. Dr. Stiliyan Stoyanov<br \/>Department of Literature Faculty of Philology<br \/>South-West University &#8222;Neo\ufb01t Rilski&#8220; <br \/>66, Ivan Mihaylov St. <br \/>Blagoevgrad, Bulgaria <br \/>E-mail stilyan61@hotmail.com<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art04\"><\/a>\u0427\u0418\u0422\u0410\u0422\u0415\u041b\u042f\u0422 \u0415\u041a\u0420\u0410\u041d. \u041f\u041e\u0421\u0422\u041c\u041e\u0414\u0415\u0420\u041d\u0410\u0422\u0410 \u0417\u041d\u0410\u041a\u041e\u0412\u041e\u0421\u0422 \u0412 \u0420\u0410\u0417\u041a\u0410\u0417\u0410 \u201e\u0426\u0410\u0420\u0410\u041c\u0411\u0423\u041a\u0410\u201c \u041e\u0422 \u0419\u041e\u0420\u0414\u0410\u041d \u0420\u0410\u0414\u0418\u0427\u041a\u041e\u0412<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>Ivan Velchev <br \/>91. \u041d\u0415\u0413 \u201e\u041f\u0440\u043e\u0444. \u041a\u043e\u043d\u0441\u0442\u0430\u043d\u0442\u0438\u043d \u0413\u044a\u043b\u044a\u0431\u043e\u0432\u201c<\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> \u0420\u0430\u0434\u0438\u0447\u043a\u043e\u0432\u0438\u044f\u0442 \u0440\u0430\u0437\u043a\u0430\u0437 \u201e\u0426\u0430\u0440\u0430\u043c\u0431\u0443\u043a\u0430\u201c \u043e\u043d\u0430\u0433\u043b\u0435\u0434\u044f\u0432\u0430 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0430\u0442\u0430 \u0437\u0430 \u0442\u0435\u043a\u0441\u0442\u0430 \u043a\u0430\u0442\u043e \u0441\u043b\u043e\u0436\u043d\u043e \u043e\u0431\u0440\u0430\u0437\u0443\u0432\u0430\u043d\u0438\u0435, \u0432\u043a\u043b\u044e\u0447\u0432\u0430\u0449\u043e \u043f\u0430\u0440\u0430\u0442\u0435\u043a\u0441\u0442\u0430, \u0438\u043d\u0442\u0435\u0440\u0442\u0435\u043a\u0441\u0442\u0430, \u0430\u0432\u0442\u043e\u0440\u0430 \u0438 \u0447\u0438\u0442\u0430\u0442\u0435\u043b\u044f. \u041f\u043e\u0441\u0442\u043c\u043e\u0434\u0435\u0440\u0435\u043d \u043e\u043f\u0438\u0442 \u0434\u0430 \u0441\u0435 \u043f\u0440\u0435\u0446\u0435\u043d\u0438 \u043a\u0440\u0438\u0442\u0438\u0447\u043d\u043e \u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u0435\u0442\u043e \u043c\u0435\u0436\u0434\u0443 \u0435\u0437\u0438\u043a \u0438 \u0440\u0435\u0430\u043b\u043d\u043e\u0441\u0442, \u0442\u0432\u043e\u0440\u0431\u0430\u0442\u0430 \u043f\u043e\u0434\u043b\u0430\u0433\u0430 \u043d\u0430 \u043f\u0440\u0435\u0446\u0435\u043d\u043a\u0430 \u0443\u0442\u0432\u044a\u0440\u0434\u0435\u043d\u0438 \u043c\u043e\u0434\u0435\u043b\u0438 \u0437\u0430 \u0447\u0435\u0442\u0435\u043d\u0435 \u0438 \u043f\u0438\u0441\u0430\u043d\u0435. \u0412 \u0434\u0443\u0445\u0430 \u043d\u0430 \u0434\u0435\u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0442\u0438\u0432\u0438\u0437\u043c\u0430 \u0442\u044f \u043e\u0442\u043a\u0440\u043e\u044f\u0432\u0430 \u0438 \u0440\u0430\u0437\u043c\u0438\u0432\u0430 \u0440\u0435\u0434\u0438\u0446\u0430 \u043e\u043f\u043e\u0437\u0438\u0446\u0438\u0438, \u0432\u044a\u0437\u0441\u0442\u0430\u043d\u043e\u0432\u044f\u0432\u0430 \u0437\u0430\u0431\u0440\u0430\u0432\u0435\u043d\u0438 \u043d\u0430\u0447\u0438\u043d\u0438 \u0437\u0430 \u0441\u043c\u0438\u0441\u043b\u043e\u043f\u043e\u043b\u0430\u0433\u0430\u043d\u0435. \u041a\u0430\u0442\u043e \u043e\u043d\u0430\u0433\u043b\u0435\u0434\u044f\u0432\u0430 \u043a\u043e\u043d\u0446\u0435\u043f\u0446\u0438\u044f\u0442\u0430 \u0437\u0430 \u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0430\u0442\u0430 \u0442\u0432\u043e\u0440\u0431\u0430, \u0420\u0430\u0434\u0438\u0447\u043a\u043e\u0432\u0430\u0442\u0430 \u201e\u0426\u0430\u0440\u0430\u043c\u0431\u0443\u043a\u0430\u201c \u0441\u044a\u0437\u0434\u0430\u0432\u0430 \u0447\u0438\u0442\u0430\u0442\u0435\u043b\u044f \u043a\u0430\u0442\u043e \u043e\u0442\u0432\u043e\u0440\u0435\u043d\u0430 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430, \u043a\u043e\u044f\u0442\u043e \u0434\u0430\u0432\u0430 \u0436\u0438\u0432\u043e\u0442 \u043d\u0430 \u0442\u0435\u043a\u0441\u0442\u0430. <em>Keywords:<\/em> text, reader, postmodern, deconstructivist and semiotis approach to text<\/p>\n<p>\u00a0<\/p>\n<p><strong>THE READER SCREEN<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> The short story \u201cCarambuka\u201d, written by Radichkov, exempli\ufb01es the notion of text as a complex construction, in which are included paratext, intertext, author and reader. Postmodern effort to estimate critically the relationship between language and reality, this literary work appraises prescribed models of reading and writing. In a deconstructivist manner it outlines and dismantles a series of oppositions, restores forgotten ways of sensemaking. As an example of the open work conception Radichkov\u2019s \u201cCarambuka\u201d makes a reader as an open structure that brings text to life.<\/p>\n<p>\u00a0<\/p>\n<p>Mr. Ivan Velchev, PhD Student<br \/> 91. Secondary School \u201cProf. K. Galabov\u201d<br \/>26, Pozitano St. <br \/>So\ufb01a, Bulgaria<br \/>E-mail: velchev_i@abv.bg<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art05\"><\/a>\u0421\u0412. \u041a\u041b\u0418\u041c\u0415\u041d\u0422 \u041e\u0425\u0420\u0418\u0414\u0421\u041a\u0418 \u0412 \u0420\u0415\u0413\u0418\u041e\u041d\u0410\u041b\u041d\u0410\u0422\u0410 \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u0410 \u0418 \u0418\u0421\u0422\u041e\u0420\u0418\u042f: \u0415\u0414\u0418\u041d \u0421\u042a\u0412\u0420\u0415\u041c\u0415\u041d\u0415\u041d \u201e\u0420\u0410\u0417\u041a\u0410\u0417\u201c \u0417\u0410 \u041f\u0420\u0415\u041d\u0410\u0421\u042f\u041d\u0415 \u041d\u0410 \u041c\u041e\u0429\u0418\u201c<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>Elena Azmanova-Rudarska<br \/>South-West University \u201eNeofit Rilski\u201c\nBlagoevgrad, Bulgaria<\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> \u0412 \u0441\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043c \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u044f\u0442\u0430 \u043d\u0430 \u043a\u0443\u043b\u0442\u0430 \u043a\u044a\u043c \u0441\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438 \u2013 \u043e\u0442 \u043e\u0431\u0440\u0430\u0437 \u0441 \u0447\u0438\u0441\u0442\u043e \u0440\u0435\u043b\u0438\u0433\u0438\u043e\u0437\u043d\u0438 \u0444\u0443\u043d\u043a\u0446\u0438\u0438 \u0434\u043e \u043e\u0431\u0440\u0430\u0437, \u043d\u0430\u0442\u043e\u0432\u0430\u0440\u0435\u043d \u0441 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043e-\u0441\u043e\u0446\u0438\u0430\u043b\u043d\u0438 \u0444\u0443\u043d\u043a\u0446\u0438\u0438. \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0438\u0440\u0430 \u0438 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u0438\u0437\u0438\u0440\u0430 \u043d\u0435\u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0438 \u0434\u043e\u0441\u0435\u0433\u0430 \u0441\u0442\u0440\u0430\u043d\u0438\u0446\u0438 \u043e\u0442 \u0438\u0441\u0442\u043e\u0440\u0438\u044f\u0442\u0430 \u043d\u0430 \u043b\u043e\u043a\u0430\u043b\u043d\u043e\u0442\u043e \u043f\u043e\u0447\u0438\u0442\u0430\u043d\u0435 \u043d\u0430 \u0441\u0432\u0435\u0442\u0435\u0446\u0430. \u0426\u044a\u0440\u043a\u0432\u0430\u0442\u0430 \u201e\u0421\u0432. \u0421\u043f\u0430\u0441\u201c (\u201e\u0412\u044a\u0437\u043d\u0435\u0441\u0435\u043d\u0438\u0435 \u0413\u043e\u0441\u043f\u043e\u0434\u043d\u0435\u201c) \u0432 \u0441. \u0414\u0440\u0435\u043d, \u0431\u043b\u0438\u0437\u043e \u0434\u043e \u0420\u0430\u0434\u043e\u043c\u0438\u0440, \u0435 \u043e\u0441\u0432\u0435\u0442\u0435\u043d\u0430 \u0441 \u0447\u0430\u0441\u0442\u0438\u0446\u0430 \u043e\u0442 \u043c\u043e\u0449\u0438\u0442\u0435 \u043d\u0430 \u0441\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u043f\u0440\u0435\u0437 1949 \u0433. \u041c\u0438\u0445\u0430\u0438\u043b \u0425\u0440. \u041f\u043e\u043f\u043e\u0432, \u0441\u0432\u0435\u0449\u0435\u043d\u0438\u043a\u044a\u0442 \u043d\u0430 \u0446\u044a\u0440\u043a\u0432\u0438\u0442\u0435 \u0432 \u0414\u0440\u0435\u043d, \u043f\u0438\u0448\u0435 \u201e\u041b\u0435\u0442\u043e\u043f\u0438\u0441\u043d\u0430 \u043a\u043d\u0438\u0433\u0430 \u043d\u0430 \u0445\u0440\u0430\u043c \u201e\u0421\u0432. \u041f\u0435\u0442\u043a\u0430\u201c, \u043a\u044a\u0434\u0435\u0442\u043e \u0440\u0430\u0437\u043a\u0430\u0437\u0432\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u044f\u0442\u0430 \u043f\u043e \u043e\u0441\u0432\u0435\u0449\u0430\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0445\u0440\u0430\u043c\u0430 \u201e\u0421\u0432. \u0421\u043f\u0430\u0441\u201c. \u0412 \u0441\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0435 \u043d\u0430\u043f\u0440\u0430\u0432\u0435\u043d\u043e \u043e\u043f\u0438\u0441\u0430\u043d\u0438\u0435 \u043d\u0430 \u0446\u044a\u0440\u043a\u0432\u0430\u0442\u0430 \u201e\u0421\u0432. \u0421\u043f\u0430\u0441\u201c, \u0434\u0430\u0434\u0435\u043d\u0430 \u0435 \u043a\u0440\u0430\u0442\u043a\u0430 \u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u043d\u0430 \u0441\u0432\u0435\u0449\u0435\u043d\u043e\u0438\u043a\u043e\u043d\u043e\u043c \u041c\u0438\u0445. \u0425\u0440. \u041f\u043e\u043f\u043e\u0432, \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0435\u043d\u0430 \u0435 \u043a\u043d\u0438\u0433\u0430\u0442\u0430 \u043c\u0443, \u043e\u0447\u0435\u0440\u0442\u0430\u043d\u0430 \u0435 \u0440\u043e\u043b\u044f\u0442\u0430 \u043d\u0430 \u0421\u043e\u0444\u0438\u0439\u0441\u043a\u0438\u044f \u043c\u0438\u0442\u0440\u043e\u043f\u043e\u043b\u0438\u0442 \u0421\u0442\u0435\u0444\u0430\u043d \u0432 \u043f\u0430\u043c\u0435\u0442\u043d\u043e\u0442\u043e \u0441\u044a\u0431\u0438\u0442\u0438\u0435. \u0412 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435\u0442\u043e \u0441\u0430 \u0438\u0437\u043f\u043e\u043b\u0437\u0432\u0430\u043d\u0438 \u0441\u0442\u0430\u0442\u0438\u0438 \u043e\u0442 \u0432\u0435\u0441\u0442\u043d\u0438\u0446\u0438, \u043d\u0430\u0443\u0447\u043d\u0438 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0438\u044f \u0438 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u0438 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u0437\u0430 \u0441\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438.<br \/> <em>Keywords:<\/em> St. Kliment Okhridski, Relics, village Dren, Church \u201cSt. Spas\u201d, Cult of the seven saints<\/p>\n<p>\u00a0<\/p>\n<p><strong>ST. CLEMENT OF OHRID IN THE REGIONAL LITERATURE AND HISTORY: A CONTEMPORARY \u201cSTORY\u201d ABOUT RELICS<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> In this text the author explores the transformations of the cult of St. Kliment Okhridski by focusing on less known chapter of local veneration of the saint. The church \u201cSt. Spas\u201d (\u201cAscencion of Jesus\u201d) in the village of Dren, near city of Radomir (Bulgaria), was consecrated with a piece of relic from St. Kliment in 1949. Mihail Hr. Popov, the priest of the church in Dren, writes \u201cAnnals of the Church\u201d, where he tells this story. The article offers a description of the church and a short biography of the priest. These data are presented in the context of articles from different newspapers, as well as scholarly studies and works about St. Kliment.<\/p>\n<p>\u00a0<\/p>\n<p>Dr. Elena Azmanova-Rudarska, Assist. Prof. <br \/>SouthWest University \u201cNeo\ufb01t Rilski\u201d <br \/>66, Ivan Mihailov St. <br \/>Blagoevgrad, Bulgaria <br \/>\u0415-mail: eazmanova@abv.bg<\/p>\n<p style=\"text-align: right;\"><a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>\n<p><strong><a name=\"art06\"><\/a>\u0424\u0418\u0413\u0423\u0420\u0410\u0422\u0410 \u041d\u0410 C\u0412. \u041a\u041b\u0418\u041c\u0415\u041d\u0422 \u041e\u0425\u0420\u0418\u0414\u0421\u041a\u0418 \u0412 \u0411\u042a\u041b\u0413\u0410\u0420\u0421\u041a\u0410\u0422\u0410 \u0418 \u0412 \u041c\u0410\u041a\u0415\u0414\u041e\u041d\u0421\u041a\u0410\u0422\u0410 \u041a\u041d\u0418\u0416\u041d\u0418\u041d\u0410 \u041e\u0422 \u0415\u041f\u041e\u0425\u0410\u0422\u0410 \u041d\u0410 \u0412\u042a\u0417\u0420\u0410\u0416\u0414\u0410\u041d\u0415\u0422\u041e<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>\u0415\u0432\u0435\u043b\u0438\u043d\u0430 \u0414\u0436\u0435\u0432\u0438\u0435\u0446\u043a\u0430<br \/>\u041a\u0438\u0440\u0438\u043b\u043e-\u041c\u0435\u0442\u043e\u0434\u0438\u0435\u0432\u0441\u043a\u0438 \u043d\u0430\u0443\u0447\u0435\u043d \u0446\u0435\u043d\u0442\u044a\u0440 \u043a\u044a\u043c \u0411\u0410\u041d<\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.\u00a0<\/strong>\u0412 \u0441\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0441\u0435 \u043f\u043e\u0432\u0434\u0438\u0433\u0430 \u0432\u044a\u043f\u0440\u043e\u0441\u044a\u0442 \u0437\u0430 \u0444\u0443\u043d\u043a\u0446\u0438\u043e\u043d\u0430\u043b\u0438\u0437\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0444\u0438\u0433\u0443\u0440\u0430\u0442\u0430 \u043d\u0430 \u0441\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438 \u0432 \u043c\u043e\u0434\u0435\u0440\u043d\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u0432 \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u0435\u043d \u043f\u043b\u0430\u043d. \u0424\u043e\u043a\u0443\u0441\u044a\u0442 \u0435 \u043d\u0430\u0441\u043e\u0447\u0435\u043d \u0432\u044a\u0440\u0445\u0443 \u0440\u0430\u0437\u043b\u0438\u0447\u043d\u0438 \u0442\u0435\u043a\u0441\u0442\u043e\u0432\u0435 \u043e\u0442 \u043f\u0435\u0440\u0438\u043e\u0434\u0430 \u043d\u0430 \u0411\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u043e\u0442\u043e \u0438 \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u043e\u0442\u043e \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u043e \u0432\u044a\u0437\u0440\u0430\u0436\u0434\u0430\u043d\u0435 (\u0441\u0445\u0432\u0430\u0449\u0430\u043d\u0438 \u043a\u0430\u0442\u043e \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0442\u0438). \u0418\u0437\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u0441\u043a\u0430\u0442\u0430 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u0430 \u0441\u0435 \u043e\u043f\u0440\u0435\u0434\u0435\u043b\u044f \u043e\u0442 \u0434\u0432\u0430\u0442\u0430 \u201e\u0433\u043e\u043b\u0435\u043c\u0438 \u0440\u0430\u0437\u043a\u0430\u0437\u0430\u201c, \u0432\u043f\u0438\u0441\u0430\u043d\u0438 \u0432 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u044f \u0438 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438\u044f \u043d\u0430\u0443\u0447\u0435\u043d \u0434\u0438\u0441\u043a\u0443\u0440\u0441. \u0426\u0435\u043b\u0442\u0430 \u0435 \u0434\u0430 \u0441\u0435 \u043f\u043e\u043a\u0430\u0436\u0435 \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u044a\u0442 \u043d\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0442\u043e \u0441\u044a\u0437\u0434\u0430\u0432\u0430\u043d\u0435 \u043d\u0430 \u201e\u043d\u0430\u0447\u0430\u043b\u043e\u0442\u043e \u043d\u0430 \u043d\u0430\u0446\u0438\u044f\u0442\u0430\u201c. \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u043f\u0440\u0435\u0434\u043b\u0430\u0433\u0430 \u043a\u0430\u043a\u0442\u043e \u0440\u0435\u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f \u043d\u0430 \u043e\u0431\u0440\u0430\u0437\u0430 \u043d\u0430 \u043d\u0430\u0439-\u0438\u0437\u0432\u0435\u0441\u0442\u043d\u0438\u044f \u043a\u0438\u0440\u0438\u043b\u043e\u043c\u0435\u0442\u043e\u0434\u0438\u0435\u0432\u0441\u043a\u0438 \u0443\u0447\u0435\u043d\u0438\u043a \u043e\u0442 xIx \u0432\u0435\u043a, \u0442\u0430\u043a\u0430 \u0438 \u0445\u0435\u0440\u043c\u0435\u043d\u0435\u0432\u0442\u0438\u0447\u043d\u0430\u0442\u0430 \u0434\u0435\u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f \u043d\u0430 \u043d\u0435\u0433\u043e\u0432\u0430\u0442\u0430 \u0443\u043f\u043e\u0442\u0440\u0435\u0431\u0430.<br \/><em>Keywords:<\/em> St. Clement of Ohrid, Bulgarian literature, Macedonian literature, National Revival, Bulgarian studies, Macedonian studies<\/p>\n<p>\u00a0<\/p>\n<p><strong>THE FIGURE OF ST. CLEMENT OF OHRID IN THE BULGARIAN AND MACEDONIAN LITERATURES AT THE TIME OF THE NATIONAL REVIVAL<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Abstract.<\/strong> The paper raises the question of the functionalization of the \ufb01gure of St. Clement of Ohrid in modern culture comparing his representation in the Bulgarian and Macedonian traditions. The focus is on various texts of the Bulgarian and Macedonian National Revivals (perceived as historiographical constructs). The points of reference are two \u201cgrand narratives\u201d inscribed into the Bulgarian and Macedonian scienti\ufb01c discourses. The aim is to show the context for the modern creating of the \u201cbeginning of the nation\u201d. The paper presents both the 19th century image of the most famous Cyrillo-Methodian disciple and a hermeneutic deconstruction of its usage.<\/p>\n<p>\u00a0<\/p>\n<p>Dr. Ewelina Drzewiecka, Assist. Prof. <br \/>Cyrillo-Methodian Research Centre<br \/>Bulgarian Academy of Sciences <br \/>13, Moskovska St. <br \/>So\ufb01a, Bulgaria<br \/>E-mail: ewelina.drzewiecka@gmail.com<\/p>\n<p style=\"text-align: right;\">\u00a0<a href=\"#top\">\u043d\u0430\u0433\u043e\u0440\u0435<\/a><\/p>\n<hr \/>\n<p style=\"text-align: right;\">\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>CONTENTS \/ \u0421\u042a\u0414\u042a\u0420\u0416\u0410\u041d\u0418\u0415 METHODOLOGY \/ \u041c\u0415\u0422\u041e\u0414\u0418\u041a\u0410\u041a\u043e\u043d\u0442\u0435\u043a\u0441\u0442\u0443\u0430\u043b\u043d\u0438\u044f\u0442 \u043f\u043e\u0434\u0445\u043e\u0434 \u043f\u0440\u0438 \u0444\u043e\u0440\u043c\u0443\u043b\u0438\u0440\u0430\u043d\u0435 \u043d\u0430 \u0442\u0435\u043c\u0438 \u0437\u0430 \u0435\u0441\u0435 (\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u043d\u043e\u0442\u0435\u043c\u0430\u0442\u0438\u0447\u0435\u043d \u043a\u0440\u044a\u0433 \u0437\u0430 \u0447\u0438\u0441\u043b\u043e\u0442\u043e \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e\u0442\u043e \u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u043e \u0411\u043e\u0442\u0435\u0432, \u0418\u0432\u0430\u043d \u0412\u0430\u0437\u043e\u0432 \u0438 \u041f\u0435\u043d\u0447\u043e \u0421\u043b\u0430\u0432\u0435\u0439\u043a\u043e\u0432) [Contextual approach in De\ufb01nition of Topics for essay (Thematic Problematic Circle for the Number in the Work of Hristo Botev, Ivan Vazov and Pencho Slaveykov)] \/ \u0420\u0430\u0434\u043e\u0441\u043b\u0430\u0432 \u0420\u0430\u0434\u0435\u0432 [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[]},"categories":[3482],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - 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