{"id":76934,"date":"2022-02-11T16:41:01","date_gmt":"2022-02-11T13:41:01","guid":{"rendered":"https:\/\/azbuki.bg\/?p=76934"},"modified":"2025-07-01T10:58:50","modified_gmt":"2025-07-01T07:58:50","slug":"the-musical-elements-in-passion-or-alices-death-ss-sources-of-new-meanings","status":"publish","type":"post","link":"https:\/\/philosophy.azbuki.bg\/en\/uncategorized\/the-musical-elements-in-passion-or-alices-death-ss-sources-of-new-meanings\/","title":{"rendered":"The Musical Elements in Passion or Alice’s Death as Sources of New Meanings"},"content":{"rendered":"

Vesela Ganeva<\/strong>
\nPlovdiv University Paisii Hilendarski (Bulgaria)<\/em><\/p>\n

https:\/\/doi.org\/10.53656\/bel2022-3-VG<\/a><\/span><\/p>\n

Abstract.<\/strong> The study traces the interrelationships between literature and the musical forms fugue and passion. Significant for the analysis is the information about the personality of Bach and the science of onomastics. I find a connection between the names of the characters of the novel and the great composer. I initiate a new reading of the traditional musical form of passion and the novel by exploring biblical and musical elements, finding that they are deconstructed by the author to create unconventional meanings.
\nKeywords:<\/em> passion; Bulgarian postmodern novel; Emilia Dvoryanova; fugue novel; biblical elements; musical novel; experimental novel; deconstruction; onomastics<\/p>\nLog in to read the full text<\/a>","protected":false},"excerpt":{"rendered":"

Vesela Ganeva Plovdiv University Paisii Hilendarski (Bulgaria) https:\/\/doi.org\/10.53656\/bel2022-3-VG Abstract. The study traces the interrelationships between literature and the musical forms fugue and passion. Significant for the analysis is the information about the personality of Bach and the science of onomastics. I find a connection between the names of the characters of the novel and the […]<\/p>","protected":false},"author":124332423426818,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","video":"","gallery":"","source_name":"","source_url":"","via_name":"","via_url":"","override_template":"0","override":[{"single_blog_custom":"","parallax":"0","fullscreen":"0","sidebar":"","second_sidebar":"","sticky_sidebar":"0","share_position":"","share_float_style":"","show_share_counter":"0","show_view_counter":"0","show_featured":"0","show_post_meta":"0","show_post_author":"0","show_post_author_image":"0","show_post_date":"0","post_date_format":"","post_date_format_custom":"","show_post_category":"0","show_post_reading_time":"0","post_reading_time_wpm":"","show_post_tag":"0","show_prev_next_post":"0","show_popup_post":"0","number_popup_post":"1","show_author_box":"0","show_post_related":"0","show_inline_post_related":"0"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"","single_post_gallery_size":""}],"trending_post":"0","trending_post_position":"","trending_post_label":""},"jnews_primary_category":{"id":""}},"categories":[1],"tags":[],"yoast_head":"\nThe Musical Elements in Passion or Alice's Death as Sources of New Meanings - \u0410\u0437-\u0431\u0443\u043a\u0438<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/foreignlanguages.azbuki.bg\/en\/uncategorized\/the-musical-elements-in-passion-or-alices-death-ss-sources-of-new-meanings\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Musical Elements in Passion or Alice's Death as Sources of New Meanings - \u0410\u0437-\u0431\u0443\u043a\u0438\" \/>\n<meta property=\"og:description\" content=\"Vesela Ganeva Plovdiv University Paisii Hilendarski (Bulgaria) https:\/\/doi.org\/10.53656\/bel2022-3-VG Abstract. The study traces the interrelationships between literature and the musical forms fugue and passion. Significant for the analysis is the information about the personality of Bach and the science of onomastics. 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